Writing:

SCREEN SLATE: Soundtrack to a Coup d’État

LCC: BILLY a film by ZACHARY EPCAR.

LCC: THE UNSEEN RIVER a film by PHAM NGOC LÂN.

LCC: A DRIFTING UP a film by JACOB LEE.

SCREEN SLATE: Feedback Loop - Critical Interventions

LCC: HOUSE OF TRÉS a film by JEFF PREISS & DIANE MARTEL.

MUBI NOTEBOOK: In the Loop: On the Films of Wojciech Has

REVERSE SHOT: Ecopoiesis

SCREEN SLATE: Dog’s Dialogue + The Hypothesis of the Stolen Painting

LCC: SOCIAL SKILLS a film by HENRY HILLS.

LCC: ONE DAY PINA ASKED… a film by CHANTAL AKERMAN.

REVERSE SHOT: Organized Chaos

LCC: DARKROOM a film by ASLI BAYKAL.

LCC: AFRICANS WITH MAINFRAMES a film by KIMA HIBBERT

LCC: DOUBLE BLIND (NO SEX LAST NIGHT) a film by SOPHIE CALLE & GREG SHEPARD.

SCREEN SLATE: The Films of DEVO

LCC: FORAGERS a film by JUMANA MANNA.

LCC: PIER PAOLO PASOLINI – AGNÈS VARDA – NEW YORK – 1967.

LCC: LE BONHEUR a film by AGNÈS VARDA.

LCC: THE STORE a film by FREDERICK WISEMAN.

SCREEN SLATE: The Red Light Bandit

LCC: PRÉSAGES a film by JOANNA HOGG.

LCC: REST STOP a film by CRYSTAL KAYIZA.

LCC: LITTLE BOY LOON a film by KEVIN BAY & JULIA THOMPSON.

LCC: WHEN YOU LEFT ME ON THAT BOULEVARD a film by KAYLA ABUDA GALANG.

MUBI NOTEBOOK: Arrested Development: The Cinema of Michael Cera

LCC: A DIFFERENT SCORE a film by ANAÏS NGBANZO.

LATINA: NYFF Overview: Drama, Absurdity, and Indigenous Stories Take Center Stage

LCC: INSIDE THE BUM a film by FRANK & TYRONE LEBON.

LCC: A SELF-INDUCED HALLUCINATION a film by JANE SCHOENBRUN.

LCC: AGE OF PANIC a film by JUSTINE TRIET.

LCC: NETTLES a film by RAVEN JACKSON.

LCC: PARSI a film by EDUARDO WILLIAMS & MARIANO BLATT.

LCC: HYPERFATE a film by CHRISTELLE OYIRI.

REVERSE SHOT: National Anthem

LCC: STREETWISE a film by MARTIN BELL.

SCREEN SLATE: Patricio Guzmán: 50 Years of Revolutionary Hope and Memory

LCC: ALL THIS PANIC a film by JENNY GAGE & TOM BETTERTON.

OVID BLOG: On Spectacle Theater’s Collaborations with Icarus Films

LCC: TOP SPOT a film by TRACEY EMIN.

LCC: BEATRIX a film by MILENA CZERNOVSKY & LILITH KRAXNER.

LCC: FREE TIME a film by MANFRED KIRCHHEIMER.

LCC: WILD STYLE a film by CHARLIE AHEARN.

LCC: INSTRUMENT a film by JEM COHEN & FUGAZI.

SCREEN SLATE: Wong Ping: Between Desire and Isolation

LCC: GIVE MY POOR HEART EASE a film by WILLIAM FERRIS with B.B. KING.

LCC: BRAND NEW DAY a film by AMOS GITAI.

LCC: MORNING OF THE EARTH a film by ALBERT FALZON.

LCC: SIDERAL a film by CARLOS SEGUNDO.

LCC: YEAST a film by MARY BRONSTEIN.

SCREEN SLATE: NARCISSUS AND PSYCHE

LCC: THE FALL a film by JONATHAN GLAZER.

SCREEN SLATE: Clementina

SHOELEATHER MAGAZINE: From the Multiplex to the “Microcinema”

LCC: THE YOUNG GIRLS TURN 25 a film by AGNÈS VARDA.

SCREEN SLATE: three sparks

WSN: In favor of smallness

LCC: NOTES ON AN AMERICAN FILM DIRECTOR AT WORK a film by JONAS MEKAS.

LCC: BEHIND THE SCENES WITH JANE CAMPION a film by PRISCA BOUCHET & NICK MAYOW.

SCREEN SLATE: Twilight

WSN: Magic mushrooms, monkeys and melodrama in ‘Altered States’

LCC: MAKING DO THE RIGHT THING a film by ST. CLAIR BOURNE.

LCC: MAKING OF THE VIRGIN SUICIDES a film by ELEANOR COPPOLA.

LCC: THE HEART STILL HUMS a film by SAVANAH LEAF & TAYLOR RUSSELL.

REVERSE SHOT: Modern Times

LCC: LIFE WITHOUT DREAMS a film by JESSICA BARDSLEY

LCC: MIDNIGHT FAMILY a film by LUKE LORENTZEN

LATINA MAGAZINE: Did Oscar Winner Iñárritu’s ‘Bardo’ Sink Under the Weight of its Own Narcissism?

LCC: A FOLDED OCEAN a film by BEN BREWER

LCC: FE26 a film by KEVIN JEROME EVERSON

LCC: AMERICAN REVOLUTION 2 a film by HOWARD ALK & MIKE GRAY

SCREEN. SLATE: LA FÓRMULA SECRETA

LCC: THE BOWERY–SPRING, 1994 a film by SARA DRIVER

SCREEN SLATE: Kagero-Za

FILM COMMENT: Film Comment Recommends: Godland

LCC: DRONE a film by SEAN BUCKELEW

LCC: SURVIVING YOU, ALWAYS a film by MORGAN QUAINTANCE

SCREEN SLATE: Lancelot du Lac + Romance

LCC: HIDDEN a film by JAFAR PANAHI

GREENLIT MAGAZINE: GREMLINS 2: THE NEW BATCH

SCREEN SLATE: Masashi Yamamoto

LCC: LES MAINS NÉGATIVES a film by MARGUERITE DURAS

WSN: Review: ‘There There’ shoots for real emotions, despite its fake portrayal of them

SCREEN SLATE: Rebels of the Neon God

WSN: Review: ‘Tales from the Gimli Hospital (4K Redux)’ revives the eccentric beginnings of a contemporary cinematic

LCC: MÉDITERRANÉE a film by JEAN-DANIEL POLLET

LCC: ATLANTIS a film by BEN RUSSELL

SCREEN SLATE: Pura Sangre

WSN: Off the Radar: ‘Ruined Heart’ rides out the high and lows of love to a medley of moving melodies

WSN: Remembering Godard: Formal innovator and revolutionary poet

LCC: DIARY OF AN AFRICAN NUN a film by JULIE DASH

WSN: Review: ‘Funny Pages’ finds soul between silliness and seediness

SCREEN SLATE: Je t'aime, je t'aime

LCC: MEDIA MAN a film by DANNY & NANCY LYON

LCC: BORN TO FILM a film by DANNY LYON

SCREEN SLATE: Let’s Scare Jessica to Death

LCC: CRESTONE a film by MARNIE ELLEN HERTZLER

LCC: THE SUMMER MOVIE a film by EMMANUEL MARRE

Screen Slate: Dore O. at Anthology Film Archives

Le Cinéma Club: JANINE a film by CHERYL DUNYE

The Greene St. Review: The American Landscape in Three Shades of Death

WSN: Review: ‘Vortex’, a reminder that death is destiny

WSN: Review: ‘Los Conductos,’ a woozy ride through the sunken corridors of Medellín

WSN: Review: ‘Shorts Program II’ muses on death, memory and the fear of looming ecological disaster

WSN: Review: ‘Shorts Program I’ shows the youthful side of cinema with an assemblage of global coming-of-age stories

WSN: Review: ‘Petite Maman,’ a monumental miniature of magical moviemaking

WSN: Off the Radar: ‘Blue’

WSN: Review: ‘Stardust’ sees Yung Lean strip rap back to its most guttural

WSN: The inescapable campiness of ‘The Batman’

WSN: Kinuyo Tanaka: master of melodrama

WSN: Review: ‘Vive L’Amour’ chillingly conveys the ennui of the everyday

WSN: Review: ‘Rock Bottom Riser’ rocks

WSN: Review: ‘Strawberry Mansion’ is a sweet delight

WSN: Daft Punk: Robot rock for the world

WSN: Review: ‘The Conversation’ and its musings on state surveillance are even scarier 50 years after its initial run

WSN: Review: ‘XCXHEXRXRXIXEXSX’ brings sex back to the big screen

WSN: Review: ‘One Way or Another’ exposes the phoniness of so-called revolutionary men

WSN: Review: ‘The French Dispatch’ and the tyrannical tenderness of Wes Anderson

WSN: Review: “Cryptozoo”

WSN: Review: “Annette”

WSN: Review: “Mandibles”

WSN: Review: “Blue Collar”

WSN: ‘We’re All Going to the World’s Fair’ offers a strange spin on the coming-of-age genre

WSN: ‘The Goalie’s Anxiety at the Penalty Kick’ review: A languid look at aimlessness

WSN: ‘Bill Traylor: Chasing Ghosts’ review: A dry overview of an incredible artist

WEIRD WAVE ARCHIVE: Rehearsing Reality: Dance as a Prognostication of Being in ATTENBERG

SAN DIEGO ASIAN FILM FESTIVAL BLOG: Nicolas Pedrero-Setzer on Tsai Ming-liang’s Days

WSN: ‘Thank You and Good Night,’ A Film Like No Other

WSN: ‘Beau Travail’s’ Restoration Re-animates the Beauty of Denis’s Cinematic Gem

WSN: ‘Bill & Ted Face the Music,’ A Most Excellent Exercise in Pure Entertainment

WSN: Destroyer Celebrates Middle-Age Despair in His Latest Album

Washington Square News: ‘Synonyms’: A Hymn for the Idealist Emigre